BE ADVISED: On Saturday 10/12, the Los Angeles Coliseum will host the USC vs. Penn State football game. Kickoff is at 12:30pm. This event will impact traffic, parking, and wayfinding in the area due to street closures. Please consider riding the Metro E (Expo) Line and exiting at USC/Expo station.

Make Your Own Nature and Art Journal

Materials needed to create your own journal

Making the Journal

Materials

  • 8.5”x11” paper (any paper, white or colorful!)
  • Thin cardboard (cereal box, etc)
  • Hole punch
  • Yarn or twine
  • Scissors
  • Pencil
  • Masking Tape
Materials needed to create your own journal
Cereal box being repurposed as cardboard for the journal
Two flat pieces of cardboard side by side
Folding blank sheets of paper in half
Placing paper on one of the cardboard pieces and tracing the contour of the pages
Cut pieces of cardboard according to the edges you traced
Line up the two cut pieces of cardboard side by side
Use a piece of masking tape to connect the two pieces of cardboard leaving about a half inch in between them
Flip over the two pieces of cardboard and use masking tape to connect them
Use a hole punch to make a hole at the top and another at bottom
Punch corresponding holes on the folded blank sheets of paper
Nest the folded sheets so that one sits inside another
Stack all sheets on top of cardboard panel (make sure to line up punch holes)
Weave twine through the punch holes
Tie together the twine to create a knot that keeps to front and back cover together
Trim any extra twine after knotting
Tape two pieces of colorful paper to the front and back covers
Make sure tape is on interior covers too
Finished book
Showing a first page of the book that looks blank but says "but wait, there is more!"

1 of 1

Paper Craft Rubbings

Cut out some paper shapes and glue them together. Place under a page in your journal, or another sheet of paper. Use a pencil, colored pencil or crayon to rub over your design underneath. Try using light pressure, and then gradually build up. Rubbings can also be made over any textured surface, like tree bark or plant cuttings!

Stuck inside? Check out iNaturalist for some great photos and nature inspiration from last year’s City Nature Challenge in L.A.

Did you know that one of the most commonly observed insects from last year’s CNC is the convergent lady beetle? Try making this lady beetle on a common mallow leaf, a painted lady butterfly, or your own design!

Materials

  • Heavyweight paper: cardstock, construction paper or paper bags!
  • Lightweight paper such as printer paper.
  • Scissors (x-acto knife, hole punch optional)
  • Pencil, colored pencil, or crayon
  • Gluestick or white glue
  • Optional hole punch to make dots

INSTRUCTIONS

  1. Cut out some shapes from the heavyweight paper.
  2. Glue your shapes together in a layered design. The more layered your design, the more detailed the rubbing will be.
  3. Place the lightweight paper over your layered paper design and use a pencil, colored pencil or crayon at an angle to rub back and forth…watch the image appear!
Cut out some shapes from the heavyweight paper
Glue your shapes together in a layered design. The more layered your design, the more detailed the rubbing will be.
Place the lightweight paper over your layered paper design and use a pencil, colored pencil or crayon at an angle to rub back and forth… watch the image appear!
Traced butterfly shapes on a piece of paper
Cut out butterfly shapes from the heavyweight paper
use a pencil, colored pencil or crayon at an angle to rub back and forth… watch the image appear!

1 of 1

Plant Mandala 

Originally meant to represent wholeness and a model for the organizational structure of life itself. We can create our own by arranging leaves and flowers into a pattern that starts from the center and builds out. Choose healthy looking leaves and flowers from outside, preferably ones that just fell to the ground.

Things to think about when collecting raw plant materials for your project:

  • How do these colors work/contrast? 
  • Is this a plant that can be glued? (Thin petals and leaves are ideal, and succulents/cacti or woody stems don’t work as well)
  • Do I have enough of each color/material to create my desired pattern?

Materials

  • Several Sheets of Drawing/Cardstock Paper (any color will do)
  • Plant material: flowers, leaves in varying shapes, colors and sizes
  • Scissors
  • White Glue
  • Q-tips or Brushes or your own fingers
  • Water
  • Small bowl
  • Heavy books for plant pressings

Instructions

  1. Collect your plant materials, whether it be in your garden or neighborhood. Think about the colors you like, the textures and amount you might need. 
  2. Test out your plants on paper before using any glue, and experiment with how you’d like your design. Once you land on a design, it helps to take a picture to remember how you made it. Below are some examples! 
  3. Now to glue your design! Mix 2:1 white glue and water. You want the mixture to be of spreading consistency, but not watery. With a brush, q-tips or your fingers, spread the mixture across the paper where your design will be.
  4. After setting your design, take a q-tip or finger with some undiluted white glue and seal the top of each petal, leaf and design element. This helps to seal in the color and keep the whole plant sticking to your paper. A leaf or petal may move as you glue it, so enjoy the flexibility until you are happy with your design.  
  5. You’ve completed your piece! Let it dry before putting it into your journal. Try out another one! There’s an infinite amount of patterns you can make!
flowers and leaves arranged on a colorful sheet
Flowers arranged on a sheet
Use brush and a glue to paste your flowers and leaves onto the colorful sheet
Using cotton swab to press down flowers onto the page
Rub plant material onto paper to make sure the glue holds
Finished mandala - arrangement on colorful sheet
Finished mandala - arrangement on colorful sheet

1 of 1

Plein Air Color Landscapes

Plein Air’ is a french term meaning ‘open air’. Plein air painting has existed for centuries but it was made popular by the artistes of the impressionists movement in France in the 1860’s. It is a method of sketching and/or painting colorful landscapes while being outdoors. And just like the impressionist our main objective is to capture the constant shifting and play of light and color in the world around us. 

Materials

  • Colors, anything will do! (The example below is done with chalk)
  • Paper (a loose sheet, or one in your journal)
  • Firm surface (board or table)
  • Any of these: crayons, chalk, pastels, colored pencils, markers, watercolors, paint.

Instructions

  1. For our purposes you do not need to be outdoors. A photo of a landscape from a magazine, a still frame from a nature documentary, or the view from any window will do.
  2. Take a moment to observe your landscape. What colors do you see? Choose the larger sections of color in your landscape. Place some colors on your paper or surface where you see them in the landscape or image. Don’t worry about details, go for blocks of color.
  3. Now try blending two different colors that are right next to each other. How do you blend? There is no right way to do it. With chalk you can use your finger to smudge the colors together. Colored pencils don’t really smudge, but will layer nicely. You can use an eraser to blend! If you’re using markers, try layering lighter colors first, then darker ones. Make up a new way to mix colors and keep experimenting!
  4. You are doing it! You are Plein Air painting with color and light! Try going darker. When you keep adding layers you add more depth to your landscape! 
Final sketch of train station and palm trees
Landscape showing train station and palm trees
Rough sketch with colors showing outlines of palm trees and color blocks
More colors and shape definition seen on sketch
Colorful sketch of train station and palm trees

1 of 1

Plant Pigments

Pigment is what makes color. It can be created in many ways to make paints and dyes.  Originally, it comes from the ground and plants.  As you try this project, it is fun to imagine what it must have been like to be among the first humans to discover how to turn plain fabric more colorful with pigment from actual leaves and flowers. Choose healthy looking plants from outside, preferably ones that just fell to the ground. The images here use plants that are common in Los Angeles.  One Bougainvillea flower and one leaf from a Nasturtium make a green and magenta pattern on paper.  Approximate creating time (not counting growing the flower from seed!):  15 minutes

Materials

  • Plain Paper
  • Plant material: flowers and leaves
  • Water (to wet the paper)
  • Masking tape
  • Mallet or something with which to hammer (covered gently with washcloth) 
  • A cutting board or a safe surface upon which to hammer

Instructions

  1. Collect your plant materials, whether it be in your garden or neighborhood. If you can’t go outside, get creative with kitchen scraps like an outdated spinach leaf or the leaves that come with carrots (or maybe a VERY thin peel of carrot, as thin as a leaf).
  2. Tape your plant(s) flat to a moistened piece of paper on your cutting board. Moisten your paper by running it under a water tap. Place the paper  on a cutting board. Tape your plant(s) flat to the paper, covering them completely with tape. Although the paper is moist, the tape will still keep the plant in place.
  3. Flip the paper over so that the tape side touches the board and hammer away. Hold the paper in place and hammer the plant area not your finger. Hammer gently enough to keep from ripping the paper, and hard enough to transfer the pigment. If a dog starts barking or your parent calls out   “Hey! What’s that noise?!?” You’re doing it right.  
  4. Beginning at the corner, gently and slowly peel the paper back to reveal the results. The tape usually falls away easily. Let the paper dry. If the tape is still too sticky or if the color didn’t transfer, try again with a moister piece of paper. If it all fell apart, try again with a less moist piece of paper.
Close-up of materials including flowers, leaves, masking tape, and mallet
Variety of plants arranged on surface
Plant materials taped to a wet sheet of paper
Plant material fully taped down with masking tape
Hammer gently enough to keep from ripping the paper, and hard enough to transfer the pigment.
Paper showing transfer of colorful plant pigments

1 of 1