Hidden black and white feathers are the secret behind songbirds' dazzling colors

Colorful songbirds like tanagers use a painterly technique to make their colors pop

A paradise tanager looks directly into a camera with its green head cocked, visible red spot on its back, and stunningly bright blue breast.
A paradise tanager

How do colorful songbirds like tanagers make their plumage dazzle? With a secret technique shared with painters, black and white layers (of feathers) underneath make the colors extra vibrant.

Published in the journal Science Advances by a team of researchers from Princeton and the Natural History Museum of Los Angeles County, a new study found that colorful songbirds like tanagers, manakins, fairy wrens, cotingas, and more dramatically enhance their brilliant plumage with secret underlayers of white and black plumage—“hidden achromatic feathers”.

“It’s one of those discoveries that you only notice when looking in detail at museum specimens, and that other biologists totally appreciate as soon as we tell them. It’s been right there all along, but no one has noticed,” says Dr. Allison Shultz, Ornithology Curator at Natural History Museum and expert on feather color. “Over the last few years, it’s become apparent that birds are modifying the colors of their feathers in ways that have flown under scientists’ radar for many years. It’s been really exciting in this study to show an additional way that has never been appreciated—by changing what essentially is the color of the base layer that the colorful parts of feathers lay on.”

Plumage helps birds find mates, defend territories, and identify members of the same species. It takes thousands of individual feathers overlapping on the body like shingles on a roof to create a smooth and continuous display of color. Individual feathers are generally colorful only at the tip. Beneath the colorful surface of the plumage, the feathers are typically drab, ending in a fluffy, grayish downy base. For decades, researchers assumed the less colorful feather base primarily functions in insulation and has no impact on coloration.
 

Bird specimen with a brightly colored green head, red patch on its back, and dark black wings. Inserts on the left show feathers on the right are close ups of its green and red patches
Detail from Figure 1 of the study: Ca and Cd show individual feathers with prominent achromatic regions sampled from a T. chilensis crown and rump, respectively, while Cb, Cc, and Ce show exposed achromatic layers on the specimen. 

At first, the team noticed the hidden achromatic layers in male Tangara tanagers, a genus of South American songbirds famous for their kaleidoscopic plumage. They examined birds in ornithological collections at NHM, the Academy of Natural Sciences of Drexel University, and the Princeton Museum of Zoology with microscopy and photography to document the achromatic layer in Tangara specimens, in some cases removing the colorful feather tips to expose the dramatic white and black layers concealed beneath.

They discovered these hidden layers followed a distinct pattern: white beneath red or yellow feather tips colored by carotenoid pigments—which produce color by absorbing different wavelengths of light—and black beneath blue or violet feather tips colored by nanostructures, whose shape reflects specific wavelengths to produce their colors.

Using a range of state-of-the-art imaging techniques—including multispectral photography, microspectrophotometry, hyperspectral imaging, and optical modeling—to measure how feather tips change in color on white and black backgrounds, they found red and yellow carotenoid plumage is brighter on white backgrounds, while blue structurally colored plumage is more saturated on black backgrounds.

illustration of two tanagers, one showing the colorful layer of feathers and the other showing black and white layer of feathers along with where the colors are on the feathers.
Detail from Figure 1 of the study: When layered on the body, white and black achromatic regions of individual feathers from a continuous layer of achromatic plumage concealed by the colorful layer of plumage,

Tangara females and males tend to look pretty similar, but males usually appear brighter—a phenomenon known as sexual dichromatism,” explains Shultz, and when they compared hidden achromatic layers between males and females, the team found that males had white layers underneath their yellow plumage, but females had black layers. Even more surprisingly, the color of the feathers’ yellow tips was nearly identical between females and males when measured on the same background.

“Without accounting for the effects of white versus black achromatic layers, females and males would look extremely similar,” says Shultz. “That was very unexpected to us. Biologists often assume that sexual dichromatism in reds and yellows is due mostly to the pigment concentration and types in the feather tips. But we found, surprisingly, that these understudied hidden layers can produce substantial and potentially biologically meaningful variation in coloration.”
 

A Tangara chilensis feather with a red tip, white midddle and black base
Who knows what other secrets feathers like this one from a Tangara chilensis specimen are hiding?
Allison Shultz